blackpoetryproject11 - Walt Whitman

Walt Whitman

May 31, 1819 – March 26, 1892
Geographic region of influence was in NY, generally around Brooklyn. Eventually recognized internationally
Walt Whitman was the second son of Walter Whitman, a housebuilder, and Louisa Van Velsor. The family of nine lived in Brooklyn and Long Island in the 1820's an1830's.
He received very little formal education, but voraciously read the works of Homer, Dante, Shakespeare, and the Bible
Authors / poets of influence
Unique characteristics of works : His unrhymed, unmetered verse marked a radical departure in poetics
The Influence / Focus of works were generally considered revolutionary( his Leaves of Grass poetry collection was so radical it made him into a revolutionary figure)Even more controversial than Whitman's radical democratic, self-celebrating verse was the poet's sexually explicit imagery. A hundred years ahead of his time, Whitman believed that sex and procreation were not only legitimate but necessary subjects for poetic exploration.
biographers were uncertain about his sexuality, as he seems to have had intimate relationships with both men and women
Part B: Two poems.

Walt Whitman - Beat! Beat! Drums! - Leaves of Grass 1900

|| 1
BEAT! beat! drums!—Blow! bugles! blow!
Through the windows—through doors—burst like a ruthless force,
Into the solemn church, and scatter the congregation;
Into the school where the scholar is studying;
Leave not the bridegroom quiet—no happiness must he have now with his bride;
Nor the peaceful farmer any peace, plowing his field or gathering his grain;
So fierce you whirr and pound, you drums—so shrill you bugles blow.
2
Beat! beat! drums!—Blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the streets:
Are beds prepared for sleepers at night in the houses? No sleepers must sleep in those
beds;
No bargainers’ bargains by day—no brokers or speculators—Would they
continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums—you bugles wilder blow.
3
Beat! beat! drums!—Blow! bugles! blow!
Make no parley—stop for no expostulation;
Mind not the timid—mind not the weeper or prayer;
Mind not the old man beseeching the young man;
Let not the child’s voice be heard, nor the mother’s entreaties;
Make even the trestles to shake the dead, where they lie awaiting the hearses,
So strong you thump, O terrible drums—so loud you bugles blow. ||

Walt Whitman - A Noiseless Patient Spider. - Leaves of Grass 1900

|| A NOISELESS, patient spider,
I mark’d, where, on a little promontory, it stood, isolated;
Mark’d how, to explore the vacant, vast surrounding,
It launch’d forth filament, filament, filament, out of itself;
Ever unreeling them—ever tirelessly speeding them.
And you, O my Soul, where you stand,
Surrounded, surrounded, in measureless oceans of space,
Ceaselessly musing, venturing, throwing,—seeking the spheres, to connect them;
Till the bridge you will need, be form’d—till the ductile anchor hold;
Till the gossamer thread you fling, catch somewhere, O my Soul. ||

Walt Whitman - To a Locomotive in Winter. - Leaves of Grass 1900

|| THEE for my recitative!
Thee in the driving storm, even as now—the snow—the winter-day declining;
Thee in thy panoply, thy measured dual throbbing, and thy beat convulsive;
Thyblack cylindric body, golden brass, and silvery steel;
Thy ponderous side-bars, parallel and connecting rods, gyrating, shuttling at thy sides;
Thy metrical, now swelling pant and roar—now tapering in the distance;
Thy great protruding head-light, fix’d in front;
Thy long, pale, floating vapor-pennants, tinged with delicate purple;
The dense and murky clouds out-belching from thy smoke-stack;
Thy knitted frame—thy springs and valves—the tremulous twinkle of thy wheels;
Thy train of cars behind, obedient, merrily-following,
Through gale or calm, now swift, now slack, yet steadily careering:
Type of the modern! emblem of motion and power! pulse of the continent!
For once, come serve the Muse, and merge in verse, even as here I see thee,
With storm, and buffeting gusts of wind, and falling snow;
By day, thy warning, ringing bell to sound its notes,
By night, thy silent signal lamps to swing.
Fierce-throated beauty!
Roll through my chant, with all thy lawless music! thy swinging lamps at night;
Thy piercing, madly-whistled laughter! thy echoes, rumbling like an earthquake, rousing
all!
Law of thyself complete, thine own track firmly holding;
(No sweetness debonair of tearful harp or glib piano thine,)
Thy trills of shrieks by rocks and hills return’d,
Launch’d o’er the prairies wide—across the lakes,To the free skies, unpent, and glad, and strong. ||
Part C: Figurative Language
Part D: Meaning